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“She took me on as one of her students and pretty fluidly gave me a personal question-and-answer session with a focus on finding my voice,” MacPherson relates. One of her students, Syndi MacPherson, a 21-year-old singer-songwriter from Columbia, Tennessee, who goes by the stage name Syd., told Westword in an email that meeting with Patterson throughout the fall helped her develop the courage to release her debut EP, MORNINGSIDE (Porch Sessions). You can do it’ - sometimes that’s enough.” People with less experience are scared, but they need a little bit of encouragement, and if that's something I can provide by saying ‘I believe in you. “As you get older, you calcify in one direction. “With songwriting, it's more important to be in touch with your own vulnerability and being able to trust yourself, which makes that work easier,” Patterson says. Another is a trans man who has written an album about their transition.”ĭuring her lessons, she attempts to create an atmosphere that is judgment-free, allowing her trainees to become more comfortable with their talents and themselves. “One of my students is a sixteen-year-old girl in foster care, and she blows my mind.
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“I am lucky enough to be working with so many different people in capacities of mentorship and songwriting guidance and voice coaching, people of all ages and genders,” says Patterson. But she remembered and eventually embraced a phrase she learned from martial arts instructor Ely Matson at Denver Kung Fu: “You teach to learn." “Performing and writing has been my purpose for most of my adult life, and feeling the vacuum created by that disappearing - this has rushed in at a moment of inspiration and absolutely filled that void for me,” Patterson says.Īt first she was unsure whether she'd be any good at working with students, and feared that giving lessons meant she was giving up on being a creator. She billed her services over social media and set up virtual one-on-one singing and songwriting lessons, offering workshops on a sliding scale or for free. Searching for work and meaning in life, she decided to see if her fans would be interested in becoming her pupils. "How would I have a sense of purpose and continue to connect with people and help people?” “It was an emotional freefall for me," she recalls. With media coverage in the works and a tour planned, her 2020 looked hopeful.īut days after the project dropped, the live-music industry shut down concerts in response to COVID-19, and Patterson's hopes of hitting the road were dashed. In what should have been a stunning year, she was stuck inside, trying to stay safe from the virus. Patterson, a former Paper Bird singer turned solo indie-pop artist, planned to use the new project to boost her career. The record was three years in the making, crafted to perfection and produced by Alaina Moore and Patrick Riley of the band Tennis. Denver musician Esmé Patterson released her fourth LP, There Will Come Soft Rains, in March 2020.